The Making of Mr. Petaluma, Bill Soberanes

Soberanes and his pipe, 1940s (photo courtesy of Soberanes Archives)

My mother first met Billy Soberanes in the summer of 1944, while he was home on leave from the Merchant Marine. Single, her fiancé having been killed while fighting in the Pacific, she was working behind the soda fountain at Pete Fundas’ Candy Store beside the Mystic Theater. She thought he was handsome and good-hearted, but somewhat jittery, speaking in such excited bursts she had trouble following what he was saying. That wasn’t unusual, as a number of men home on leave from the war seemed rattled.

After striking up a conversation, Soberanes invited her out for dinner and a movie. She accepted, thinking it was the least she could do before he returned to sea. Following the movie, he took her to the top of the hill west of town to view the stars above the evening fog layer. He drove like he talked—fast and skittish. They were still shrouded in fog when they reached the top of the hill. He parked the car and awkwardly leaned over to kiss her. She slapped him across the face, and ordered him to drive her home.

A few weeks later, Soberanes smashed up the family car before returning to sea.[1] He never drove again. Neither did he ever date my mother again, although they became lifelong friends, bonding over a shared love of local gossip.

Soberanes was, by most measures, an odd duck. My father, a classmate of his at St. Vincent’s Academy, regarded him as something of a buzzing fly, firing off stray ideas and offbeat jokes with the rapidity of a machine gun. My aunt, who also attended school with him, said he was a mischievous prankster who nervously ate through a pencil a day at school. As a grown man, Soberanes traded in his pencils for a briar pipe, although he often smoked more matches than tobacco, incessantly tamping down and relighting his pipe.[2]

Born in 1921, William Caulfield Soberanes grew up in Petaluma’s Old East neighborhood extending from the railroad tracks to Payran Street, among an enclave of Irish relatives orbiting around the home of his grandfather, Thomas A. Caulfield, on East Washington Street between Wilson and Lakeville streets. Caulfield, who immigrated to California from Ireland in 1876, was Petaluma’s top cattle dealer, with a 32-acre stockyard operation that extended along Lakeville Street from Wilson Street to Caulfield Lane.[3]

In 1900, one of Caulfield’s three daughters, Maggie, married Ed Soberanes, an accountant for a shoe manufacturer that had recently relocated a new factory from Oakland to the Old East.[4] A native of St. Helena, Soberanes descended from a family of early 19th century Californios with ties to General Mariano Vallejo, who built the Petaluma Adobe in 1836.[5]

Ed and Maggie purchased a house at 421 East Washington Street, two doors down from Thomas Caulfield’s home. The Old East was then a working-class neighborhood, populated largely by Italian and German immigrants, many of whom worked in Petaluma’s eastside factory district, the railroad yard, the grain mills, and the shipping docks of McNear Canal. On the corner across the street from the Soberanes house sat the Tivoli Hotel, whose restaurant, bar, and backlot bocce ball court served as an Italian hub in the neighborhood.

The Soberanes home at 421 East Washington Street (Photo Sonoma County Library)

Ed Soberanes eventually became manager of the shoe factory. He and Maggie had five children, of which Bill was fourth in the birth order, born ten years after their third child. After the shoe factory closed in 1927, Ed went to work for his two brothers-in-laws, Will and Tom Caulfield, Jr., who had taken over their father’s cattle trade business and also opened a chain of local meat markets, one of which sat beside the Tivoli, directly across from the Soberanes house.

Ed died when his son Billy was 15. He was looked after by his uncles on the block, in particular Tom Caulfield, who, in addition to trading cattle, was one of the town’s preeminent storytellers and vaudeville performers. He also judged rodeos and refereed boxing matches throughout the state, both of which Soberanes engaged in as a young man.

After graduating from high school in 1941, Soberanes briefly followed his two older brothers and cousins into the family cattle business. Then came Pearl Harbor on December 7, 1941. After initially enlisting in the National Guard, in 1943 Soberanes joined the U.S. Merchant Marine, whose ships kept overseas troops armed and fed during the war.[6]

Soberanes (at top) with Merchant Marine crew (Photo courtesy of Soberanes Archives)

It was undoubtedly a colorful experience for the young Soberanes. With most able-bodied men enlisted in the military, the Merchant Marine was forced to lower their standards, filling out their civilian crews with drunks, idlers, thieves, brawlers, and card sharps who went by nicknames like Low Life McCormick, No Pants Jones, Screwball McCarthy, Foghorn Russell, and Soapbox Smitty.[7]

Following the war, Soberanes tried his hand at a variety of jobs around Petaluma, including buying and selling hay, and working for his uncles in the cattle business. But nothing caught his fancy. “The trouble with work,” he told a friend, “is that it stops a fellow from talking.”[8]

That wasn’t the case at Gilardi’s Corner, the town’s swanky cocktail lounge at the northeast corner of Washington and Kentucky streets where talking was the primary pastime, when one wasn’t rolling bar dice or placing discreet bets on horse races and boxing matches in the back room. The atmosphere in Gilardi’s was relaxed, playful, and open to possibilities. Men wore fitted suits and narrow ties, while women were dressed in high heels and cocktail dresses.

Gilardi’s Corner, circa 1950 (Photo Sonoma County Library)

Together with the Hotel Petaluma’s Redwood Room across the street, Gilardi’s comprised Petaluma’s “night club row,” where the post-war “smart set” gathered to listen to jazz, dance, and imbibe highballs served by mixologists like “Happy” Merango, “Red” Cockrill, and “The Sheik” Sheehy, my father.[9]

“Diamond Mike” Gilardi opened the lounge in 1937, looking to bring a touch of class to the cluster of local bars and taverns opening up after Prohibition. Having refashioned himself from the son of a Swiss-Italian dairy rancher in Hicks Valley into one of the town’s preeminent Dapper Dans, Gilardi became a mentor to the young Soberanes.[10]

The bar at Gilardi’s Corner, late 1940s (Photo Sonoma County Library)

But while Soberanes was naturally drawn to the glamour and excitement of night club row, his quirky nature and awkwardness with women left him somewhat on the periphery. That is, until he found his way to the inside through the camera.

As a boy, Soberanes redeemed a bunch of cereal box tops through the mail to help purchase his first Brownie camera.[11] Photography soon became not just a hobby but an obsession, the attraction not in the aesthetics of what he captured on film, but in the charged excitement of people he caught in the spotlight.

With the predatory instincts of a paparazzo, Soberanes began covering sporting competitions, political rallies, theatrical events, music performances, parades, and even fires, coaxing his way into some events, sneaking into others.[12] As a charm offensive, he employed his natural sense of curiosity, learning a little about practically everything, just enough to ask seemingly informed questions of boxers, baseball players, rodeo cowboys, politicians, movie stars, labor leaders, poets, policemen, gamblers, and outlaws.

Soberanes with camera, 1950s (Photo courtesy Soberanes Archives)

Once he photographed them, he posed to be photographed with them, like a hunter showing off his trophy kill. Those who refused his cameo request, he photobombed.[13]

By 1950, Soberanes was ready to turn his avocation into a full-time profession. Assisted by his cousin Nettie Rose Caulfield, a freelancer who wrote for rodeo and motorcycle racing publications, as well as Cat Fancy magazine, he began writing a weekly column for the Petaluma News, a local newspaper.[14]

Called  “So They Tell Me,” the column featured Soberanes’ photographs paired with short, snappy items readers could quickly skim. A cornucopia of scoops, sightings, sports, social events, politics, personalities, and historical trivia, it bristled with as many names as he could squeeze in, having learned that readers scanned for either their name or the name of someone they knew for a bit of gossip to share with friends over lunch.

Logo for Soberanes’ column in the Petaluma News (courtesy of Petaluma Argus-Courier Archives)

As his model, Soberanes turned to popular San Francisco columnist Herb Caen, whose rapid-fire “three-dot journalism”—named for the ellipses separating his column’s short items—was itself a blatant imitation of Walter Winchell, the syndicated American newspaper gossip columnist and radio news commentator known for having turned journalism into a form of entertainment.

Soberanes used his new column as a launch pad for his first big public campaign: building a second firehouse in town on the east side. A new, postwar suburban housing boom had descended upon Petaluma, beginning with subdivisions along Payran and Madison streets, inundating the Old East neighborhood with new young families. That created an access issue for the fire department located on the west side of the Petaluma River, which was sometimes hampered by raised drawbridges at D and Washington streets due to riverboat traffic.

For Soberanes, the campaign held personal meaning, as his father had been a long-serving fire commissioner. After the bond issue passed in June 1951 for constructing a new firehouse at Payran and D streets, the 29-year-old Soberanes was honored by town leaders at a special banquet dinner. He was now in the spotlight himself.[15]

Petaluma Fire Station No. 2, Payran & D streets (Photo Sonoma County Library)

A few months later, the Petaluma News closed down. Soberanes’s weekly column was quickly picked up by the Santa Rosa Press Democrat, who expanded it to three times a week.[16] He now had a profession, but not a lucrative one, as he was paid no more than $5 a column.[17] To get by, he continued living at home with his mother and older sister Margaret, a teacher at McKinley School.

In 1954, the “So They Tell Me” column moved to the Petaluma Argus-Courier. In his first column on June 2nd, Soberanes announced his intentions: “We will tell you about local happenings, about the many people we chance to meet from all walks of life, the famous, near famous, the characters, and the everyday citizen.”[18]

Soberanes on on his beat, 1954 (Photo Sonoma County Library)

Since he no longer drove, Soberanes made his daily rounds around town on foot. Nattily dressed in suit and tie, a camera bag slung over his shoulder, coat pockets filled with pens and spiral-bound notebooks, a pipe held between his teeth or left smoldering in his coat pocket, he covered an average 20 miles a day, checking in with his network of tipsters.[19]

Able to get by on little sleep, Soberanes devoted the wee hours of the morning to sitting down at his Royal typewriter and, with two fingers, pounding out his column from a pocketful of notes.[20] Although he was careful to avoid expressing malice toward anyone, his column was largely hearsay, and not fact-checked. He relied on readers to set him straight, happily publishing their letters, in the belief that a complaining reader was better than no reader at all.

He also regularly featured reports in his column from anonymous “correspondents,” using pennames like Desert Dan Delaney, The Dreamer, Turkeylegs Thomas, and Fast Walking Charley.[21] To help keep Petaluma tangentially connected to the national stage, he took regular trips to San Francisco, returning with first-hand gossip and trophy pictures of himself with high-profile actors, athletes, politicians, and other celebrities.[22]

Soberanes and Jayne Mansfield at the Flamingo Hotel, 1950s (Photo courtesy of Pierre Ehret, Flamingo Hotel)

In 1954, he began hosting a weekly 15-minute show on KAFP, the local radio station located at the south end of town, whose call letters were anecdotally said to stand for “Krowing Always For Petaluma.”[23] He interviewed sports figures and colorful local characters like Pop Pickle, an old woodsman who responded to his questions with a variety of bird calls.[24] Soberanes himself was often introduced as the “man who talks faster than the speed of sound.”[25]

Soberanes interviewing Pop Pickle at KAFP radio station, 1954 (Photo Sonoma County Library)

On good days, Soberanes’ column offered everything one might expect from an entire newspaper—only in 1,100 words. Much as John Steinbeck said about Herb Caen, Soberanes made a many-faceted character of Petaluma.[26] It wasn’t long before people were calling him the “Walter Winchell of Petaluma.”

That proved a valuable service during the 1950s and 1960s, as Petaluma transformed from an agriculturally based town of 8,000, into a sprawling suburb of more than 30,000. The poultry and dairy industries that had powered the city’s prosperity for half a century were declining due to the rise of factory farms elsewhere, and the downtown business district was being decimated by new shopping malls erected on the east side of town.

A city used to proudly punching above its weight, first as the third busiest river port in the state, and then as the Egg Basket of the World, Petaluma suddenly found itself facing an existential crisis. For Soberanes, that spelled opportunity. Despite his love of old-time Petaluma, he wasn’t interested in living in a museum, he relished the excitement of the new too much.

To help stave off the city’s fear of becoming ordinary, he devoted his column to celebrating all that was eccentric, wonderful, and unique about Petaluma. In doing so, he provided long-time residents with reassurance that their small-town values remained intact, and offered newcomers an introduction to the town’s idiosyncratic nature as well as a path to local acceptance—to be mentioned in Soberanes’ column was to have arrived in the clubby city.

Soberanes playing bocce ball behind the Tivoli Hotel, 1950s (Photo courtesy of the Petaluma Argus-Courier)

The one thing missing for him was excitement, the sort local promoter Bert Kerrigan had brought to town following World War I, when he put the city’s chicken industry on the map nationally.[27] Kerrigan advised Soberanes not to “put all his eggs in one basket”—while reminiscing about the past was fun, one couldn’t base one’s future on it, as change was inevitable.[28]  

One evening in the fall of 1954, Soberanes dropped by Gilardi’s Corner to find two men preparing to engage in a common barroom bout of wristwrestling. As he watched customers lay down their bets and cheer on the two competitors, he had an idea.

Jack Homel, a trainer for the Detroit Tigers baseball team, wintered in Boyes Hot Springs during the off-season and was a frequent Gilardi’s patron. Soberanes had heard him boast many times of having never lost a wristwrestling match, despite having faced hundreds of opponents, including football players, boxers, steel workers, and longshoremen. The same claim was made by Lakeville rancher Oliver Kullberg who, at two-hundred-and-something-pounds, was reputedly the strongest man in Petaluma.

Soberanes proposed to Gilardi they pit Homel and Kullberg against each other in a fundraising match during the annual Sports Show that raised money for the March of Dimes.

On the evening of January 27, 1955, Homel and Kullberg sat down for their match at a round table in the back room of Gilardi’s Corner and clasped hands. For almost three minutes, the two men struggled to best one another before the table reportedly collapsed beneath them. The referee declared the match a draw.

Oliver Kullberg, left, and Jack Homel, right, compete in first wristwrestling match at Gilardi’s Corner, as Soberanes (behind Kullberg) and Mike Gilardi (behind Homel) look on, 1955
(Photo Steve Farley, courtesy of the Petaluma Argus-Courier)

In the days following, wristwrestling became the most talked about sporting event in town. People clamored for more. Happy to oblige, Soberanes, Gilardi, and Homel formed a three-man committee to create an annual wristwrestling tournament, with Soberanes’ cousin, Nettie Rose Caulfield serving the tournament’s secretary.

Within a few years the tournament’s popularity outgrew Gilardi’s Corner, moving first to Hermann Sons Hall and then to the Petaluma Veterans Memorial Building, where it played to thousands of attendees, including a variety of movie stars, public officials, and celebrity athletes recruited by Soberanes.[29] In 1969, ABC’s Wide World of Sports began televising it.[30]

Wristwrestling, Petaluma’s answer to the Calaveras frog jumping contest, became the biggest thing to happen to the town since Bert Kerrigan declared it the Egg Basket of the World.[31]

Its success spawned a more annual events for Soberanes—the Walkathon from Sonoma to Petaluma, the Whiskerino Contest, Petaluma River Rowboat Contest, the Table Tennis Championship Tournament, the Ugly Dog Contest, and the Harry Houdini Séance—but none of them matched the worldwide appeal of the Wristwrestling Tournament.[32]

Left to right: Ross Smith, Jim Withington, and Soberanes at Old Adobe Fiesta Boat Race, 1970 (Photo Sonoma County Library)

In 1964, at the age of 42, Soberanes married his longtime girlfriend, 39-year-old Jane Edgerton Turner, and began dividing his time between Jane’s house in Santa Rosa and his mother’s house on East Washington Street.[33]

Like many others, my mother would always stop to give him a lift when she spotted him shuffling along the street. He would climb into the car with his camera bag and pipe, the two of them engaged in a breakneck exchange of gossip as we rode along.

Soberanes was a regular guest at my parents’ cocktail parties, his rapid-fire voice carrying throughout the house to my bedroom. Some nights he would showed up unannounced at the family dinner table, regaling us with a scattershot of news he’d gathered that day mixed with memories of people and places from the old days in Petaluma.

After dinner, my parents retired to the living room to watch television, leaving my sister and me to clean up in the kitchen while Soberanes smoked his pipe and rambled on. Growing up in an Irish family, I was used to colorful raconteurs, but nothing prepared me for his erratic, pinball manner of storytelling—except perhaps watching a Marx brothers movie.

Soberanes photo-bombing Frank Sinatra and Peter Lawford at Lake Tahoe, 1950s (Photo courtesy of Petaluma Argus-Courier)

The 1970s marked a turning point in Soberanes’ reporting. After two decades on the beat, many of his reliable tipsters had aged into retirement or the grave. A number of his old haunts were likewise gone, including Gilardi’s Corner, torn down in 1967 to make way for a new bank’s parking lot.[34]

In 1971, he changed the name of his column from “So They Tell Me” to simply “Bill Soberanes,” and increasingly turned his focus to local history and nostalgia, creating a new running feature called “My Fascinating World of People,” which featured a personality profile of someone he had interviewed in the past, along with a photo taken of himself with the subject.[35]

Bill Soberanes with “Diamond Mike” Gilardi at the Soberanes Room in the Hideaway Bar, 1971 (photo courtesy of Anthony Tustler, Sonoma County Bugle)

Commonly referred to as “Mr. Petaluma” by this time, he sought to distinguish himself from other columnists by coining the term “peopleologist,” which he defined as a person who studies people from all walks of life. Unlike a traditional journalist who tries to remain invisible behind the camera, a peopleoglogist liked to be in front of the lens, taking part in the action.[36] To underscore the point, he began laying claim to having been photographed with “more famous, infamous, usual and unusual people than anyone in the world.”[37]

Soberanes photo-bombing the Beatles at San Francisco press conference, 1966 (Photo Sonoma County Library)

In his own way, Soberanes was rebranding himself with the times, which was seeing the rise of a “new journalism” practiced by writers such as Tom Wolfe and Hunter S. Thompson, who placed themselves in the stories they reported.

In 1983, he moved back to town with his wife, taking up residency in a house his father had built beside the family home at 421 East Washington Street, which was now occupied by just his sister Margaret, his mother having died a decade before.

Much had changed. East Washington Street was now a four-lane artery connecting the east and west sides of town. The Tivoli Hotel was gone, as was Caulfield’s Meat Market and Thomas Caulfield’s house on the corner. The old block Soberanes had grown up on was now host to a gas station, a carpet store, and a couple of fast food restaurants.

Soberanes on the porch of 423 East Washington Street, 1999 (Photo by Leena Hintsanen, courtesy of the Petaluma Argus-Courier)

When not making his rounds around town, Soberanes spent his days sitting on the front porch of his house with his pipe and typewriter, entertaining visitors and waving to people as they honked their horns while driving past. When with my mother and I visited him, he was much the same as I remembered him as a boy, jumping around from topic to topic like a pinball. Having created a many-faceted character of Petaluma, I realized he had also created a character of himself. At the end of the day, I wondered if anyone could say they actually knew him beneath the mask.

On January 27, 2003, my mother unexpectedly died of a sudden heart attack. In his column that week noting her passing, Soberanes recalled her working behind the soda fountain at Pete Fundas’ Candy Store, whose slogan was “We hire the prettiest girls in town.”[38]

Four months later, on June 2, 2003, Soberanes died of congestive heart failure. It was 49 years to the date that he published his first column in the Petaluma Argus-Courier. In all those years, he never missed a deadline, including for his final column, a remembrance of his meeting with the comedian Bob Hope.[39] The column’s title, “Thanks for the Memories,” was a fitting farewell for the man known as Mr. Petaluma.

Soberanes on the beat along Kentucky Street, 1980s (Photo Sonoma County Library)

*****

FOOTNOTES:


[1] “News of Our Men and Women in Uniform,” Petaluma Argus-Courier, June 13, 1944;

“Personal Items,” Petaluma Argus-Courier July 15, 1944.

[2] DFL Miller, “Sixteen Years of Columns,” Petaluma Argus-Courier, June 15, 1970.

[3] “A Son Arrived at the Ed Soberanes Home, Petaluma Argus, October 20, 1921; “T.A. Caulfield Called by Death,” Petaluma Argus-Courier, October 19, 1928.

[4] “Shoe Factory to Pass into History,” Petaluma Argus-Courier, May 16, 1927.

[5] “Searching for the Elusive Howes,” Petaluma Argus-Courier, April 25, 1997.

[6] “E.T. Soberanes Claimed by Death,” P, January 3, 1938; “St. Vincent High School Graduation,” Petaluma Argus-Courier, June 4, 1941; “Billy Soberanes,” Petaluma Argus-Courier, July 7, 1943; “California State Assembly Resolution by the Honorable Bill Filantes, M.D., 9th Assembly District; Relative to commending Bill Soberanes,” Petaluma Argus-Courier, October 7, 1988.

[7] William Geroux, “The Merchant Marine Were the Unsung Heroes of World War II,” Smithsonian Magazine, May 28, 2016.

[8] “Soberanes ‘Best Known’ Citizen,” Petaluma Argus-Courier, January 26, 1968.

[9] Bill Soberanes, “Petaluma Landmark Closes Doors,” Petaluma Argus-Courier, March 1, 1967; Bill Soberanes, “Colorful Fifties in Petaluma,” Petaluma Argus-Courier, January 22, 1969.

[10] “People You Should Know,” Petaluma Argus-Courier, October 30, 1937;

[11] “Bill Soberanes: Columnist, Petaluma Booster,” Petaluma Argus-Courier, October 7, 1988.

[12] “Soberanes ‘Best Known’ Citizen,” Petaluma Argus-Courier, January 26, 1968.

[13] “Soberanes ‘Best Known’ Citizen,” Petaluma Argus-Courier, January 26, 1968.

[14] Bill Soberanes, “Colorful Fifties in Petaluma,” Petaluma Argus-Courier, January 22, 1969; Bill Soberanes, “Nettie Rose’s Writing Boosted Morale of WWII Servicemen,” AC, July 2, 1986; “Soberanes ‘Best Known’ Citizen,” Petaluma Argus-Courier, January 26, 1968.

[15] “Thanks Given to Bill Soberanes in Promoting Fire Sub-Station,” Petaluma Argus-Courier, June 30, 1951.

[16] “Soberanes’ Column Now Three Times a Week,” Santa Rosa Press Democrat, January 6, 1952.

[17] Interview with Lee Torliatt, fellow Press-Democrat columnist in 1954, September 2021; Torliatt reported they were paid 20 cents an inch.

[18] “So They Tell Me” column, Petaluma Argus-Courier, June 2, 1954.

[19] DFL Miller, “Sixteen Years of Columns,” Petaluma Argus-Courier, June 15, 1970; Prescott Sullivan sports column, San Francisco Examiner, January 30, 1963.

[20] “Soberanes ‘Best Known’ Citizen,” Petaluma Argus-Courier, January 26, 1968; “Bill Soberanes” column, Petaluma Argus-Courier, December 31, 1996; “About Bill: Facts and Trivia,” Petaluma Argus-Courier, June 25, 2003.

[21] Prescott Sullivan sports column, San Francisco Examiner, January 26, 1966.

[22] “How Does Soberanes Manage to Get All Those Photos?” Petaluma Argus-Courier, October 7, 1988.

[23] “Sunday Column is Missed,” Santa Rosa Press Democrat, October 9, 1951; “KAFP Program—1490,” Petaluma Argus-Courier, February 23, 1954.

[24] Bob Wells, “Pop Is 70 but Spry as a Cricket,” Santa Rosa Press Democrat, September 23, 1954.

[25] DFL Miller, “Sixteen Years of Columns,” Petaluma Argus-Courier, June 15, 1970.

[26] “Cool Gray City Found its Voice in Herb Caen,” San Francisco Chronicle, April 2, 2002.

[27] “1925 Egg Day Festival,” Petaluma Argus, August 8, 1925.

[28] “Bill Soberanes” column, Petaluma Argus-Courier, August 17, 1984.

[29] “Dimes Parade, Sports Show, Kick Off Tonight,” Petaluma Argus-Courier, February 13, 1954; Bill Soberanes, “So They Tell Me” column, Petaluma Argus-Courier: October 23, 1954, December 11, 1954, December 15, 1954, January 30, 1962, March 29, 1967, September 28, 1977; “The Early Days of Wristwrestling in Petaluma: How a Game Became a Sport,” ArmwrestlersOnly.com, December 5, 2013; “Dimes parade, Sports Show, Kick Off Tonight,” Petaluma Argus-Courier, February 13, 1954;

[30] “Big Show’s Tonight,” Petaluma Argus-Courier, May 2, 1969.

[31] “The City,” Dick Nolan column, San Francisco Examiner, January 22, 1959.

[32] “Remembering Bill Soberanes,” Petaluma Argus-Courier, June 18, 2003.

[33] “Marriage Licenses,” San Francisco Examiner, March 13, 1964; DFL Miller, “Sixteen Years of Columns,” Petaluma Argus-Courier,  June 15, 1970

[34] Bill Soberanes, “Petaluma Landmark Closes Doors,” Petaluma Argus-Courier, March 1, 1967.

[35] “Bill Soberanes,” Petaluma Argus-Courier, April 29, 1971; “Bill Soberanes,” Petaluma Argus-Courier, August 16, 1972, February 14, 1973.

[36] Carl Nolte, “Big Put Down at Petaluma,” San Francisco Examiner, February 12, 1967; Bill Soberanes, “A Columnist Reflects,” Petaluma Argus-Courier, August 20, 1971.

[37] “Bill Soberanes,” Petaluma Argus-Courier, July 6, 1973.

[38] Bill Soberanes, “Go Fly a Kite,” Petaluma Argus-Courier, February 19, 2003; “Sweet Memories of Pete Fundas,” Petaluma Argus-Courier, January 19, 2000; “Bill Sobernes,” Petaluma Argus-Courier, May 2, 1995.

[39] Katie Watts, “Bill ‘Mr. Petaluma’ Soberanes Dies,” Petaluma Argus-Courier, June 4, 2003; “Thanks for the Memories,” Petaluma Argus-Courier, June 4, 2003.

Petaluma’s Night Club Row

Bar at Gilardi’s Corner, 1940s (photo Sonoma County Library)

The swanky Lanai Lounge opened in the Hotel Petaluma on August 16, 1938. Taking up the hotel’s entire front corner, it was adorned with South Seas murals, bananas hanging from the ceiling, a koi pond, and a horseshoe-shaped bar that served exotic rum cocktails, transporting its customers to a romantic and languorous tropical paradise of rattan furniture, flower leis, and live Hawaiian music.

To the delight of hotel operator Vernon Peck, the lounge was an overnight sensation. The Golden Gate Bridge had opened the year before, and waves of tourists were passing through town on the Redwood Highway, headed for resorts along the Russian River, where they danced the night away to the big bands of Harry James, Buddy Rogers, and Glenn Miller.

Hotel Petaluma, with lanai Lounge sign, 1938 (photo Sonoma County Library)

Meanwhile, Tiki culture was sweeping the Bay Area, having made a big splash in 1937 with the opening of Trader Vic’s restaurant in Oakland. As word spread of Peck’s exotic roadside attraction, members of the Bohemian Grove, an exclusive Monte Rio men’s club, made ritual stopovers at the lounge on their way from San Francisco to their annual summer gathering on the Russian River. Their chauffeured limousines lined up outside the hotel caused a sensation in town.

Ad announcing Lanai Lounge opening, 1938 (Petaluma Argus-Courier

That cachet helped draw in Peck’s other target clientele, Petaluma’s “smart set.” While a number of bars and grocery taverns sprang up around town following Prohibition’s repeal in 1933, there was a crowd of young men and women more attracted to the lure of night clubs. That was largely a hangover from the speakeasies of Prohibition, which ushered in both the cocktail culture and mixed sexes drinking together in a semi-public establishment.

Mike Gilardi, owner of a cigar store across the street from the hotel, had converted his store into a popular cocktail lounge in 1937, offering jazz, dancing, and an exciting mixology of new slings and fizzes.

Gilardi’s Corner at Washington & Kentucky streets, c. 1949 (photo Sonoma County Library)

Piggybacking on the success of Gilardi’s Corner, the Lanai Lounge quickly became the second anchor of Petaluma’s “night club row.”

Peck needed the business. The Great Depression had sent many hotel properties into receivership, or else turned them entirely into single-room occupancy hotels (SROs). Traveling businessmen and salesmen were starting to take rooms in the inexpensive new motels being built  along the highways, which, in addition to convenient parking, also relieved them from running a gauntlet of hotel staff with their hands out for tips.

Lanai Lounge matchbook cover (image in public domain)

In 1940, after successfully guiding the Hotel Petaluma through the Great Depression, Vernon Peck departed for a hotel in Los Angeles, selling his lease to Harold Eckart, a hotelier from Olympia, Washington. Eckart undertook a major renovation of the hotel in 1945, including a complete makeover of the Lanai Lounge, which he rechristened the Redwood Room. Newly decorated with large photo murals of the redwoods, the cocktail lounge quickly became a favorite hangout of Petaluma’s postwar café society, known as “the 400.”

Postcard of mural in the Redwood Room (image public domain)

They were serenaded most evenings by Earle Bond, a locally renowned organ player. Eckart also created a studio in the hotel for the local arm of the Santa Rosa radio station KSRO, and on the roof a Civil Air Patrol spotting station that continued to operate during the Cold War.

Redwood Room at corner of Hotel Petaluma, 1954 (photo Sonoma County Library)

The opening of Highway 101 to the east of town in 1956 put an end to travelers passing through the downtown on the Redwood Highway. As inexpensive motels were available just off the freeway, the Hotel Petaluma converted to being primarily an SRO.

In 1959, the local Elks Club, seeking more space for their club gatherings, purchased the hotel from the original Petaluma Hotel Company trust for $91,160, far short of the $285,000 local citizens had invested in 1924, when the hotel was built in a GoFundMe fashion. The Elks closed off the Redwood Room, carving it up into retail shops, blocked out the lobby for meeting spaces, and roofed over the open courtyard entrance, turning it into an exclusive barroom for club members.

Ed Mannion and Bill Soberanes of the Argus-Courier standing outside Gilardi’s Corner on the eve of its demolition in 1967 (photo Sonoma County Library)

In 1967, Gilardi’s Corner fell to the wrecking ball when Washington Street was widened into four lanes. A parking lot for the corner bank was eventually built in its place, erasing the last of Petaluma’s night club row.

*****

SOURCES:

Petaluma Argus-Courier: “Lanai Cocktail Lounge Opens at Hotel,” August 17, 1938; “KSRO to Close Local Station,” February 16, 1951; “Through the New Hotel Petaluma This City Offers Accommodations to Local People, Travelers-Unexcelled,” November 29, 1953; “Elks Hotel Project Will Cost $50,000,” January 22, 1960; “Colorful Fifties in Petaluma,” January 22, 1969.

Bill Soberanes column, Petaluma Argus-Courier: July 3, 1959, August 17, 1971, October 29, 1974, July 7, 1978, October 24, 1980, February 2, 2000.

Santa Rosa Press Democrat: “$35,000 to be Invested in ‘Motels,’” March 20, 1938.

Petaluma’s First Movie: The Farmer’s Daughter

A Romantic Story of Political Opposites

Loretta Young and Joseph Cotten in still photo from “The Farmer’s Daughter” (photo courtesy of Gregg Fautley Collection)

In the spring of 1946, Louis Shapero, a Hollywood location scout, spent three days in a chartered plane scouring Sonoma County for a picturesque setting that would pass as a Minnesota dairy ranch. Then he came upon the Bundesen Ranch. Nestled in the green rolling foothills of Sonoma Mountain, the ranch’s setting struck him as the perfect backdrop for what would become the first Hollywood film shot in Petaluma.

A 150-acre dairy, the Bundesen Ranch sat at 4295 Old Adobe Road, two miles south of the Petaluma Adobe on the road to Sonoma. Originally settled by an Irishman named James Sullivan, it was purchased in the late 1880s by Sophus Bundesen, an immigrant from the Isle of Fohr. After his arrival in America in 1873, he adopted the Anglo-Saxon first name Charles in place of his given name, which along with its feminine variation Sophia, stands for wisdom in Greek.

Charles was joined in Petaluma by his brothers Martin and Henry, who settled on chicken ranches west of town. Charles and his wife Marie, another Isle of Fohr immigrant whom he married in San Francisco in 1884, raised five children on the ranch.

The Bundesen Ranch at 4295 Old Adobe Road, with Charles and Marie Bundesen in buggy and sons and daughters standing outside the gate, 1905 (photo courtesy of Sonoma County Library)

After Marie’s death in 1912, Bundesen retired from ranching and moved into town, leaving his son Martin to operate the ranch. Following Charles’ death in 1919, and Martin’s subsequent move to Eureka, the family leased the ranch in 1930 to an Irishman named William Scott, who immigrated to Petaluma during Ireland’s civil war in the early 1920s.

Scott was on his deathbed at the ranch, being cared for by his son Bob, when Shapero came calling to secure a release for using the ranch as a movie set. Sophie Bundesen, a Petaluma nurse representing the Bundesen family, also signed off on the release. In early May of 1946, a few days after Scott died, a crew of 100 carpenters, painters, landscapers, location directors, and film crew members descended upon the ranch to spruce it up for the shoot.

Still from the film set of the Bundesen Ranch with new silo and paint job, 1946 (credit: The Farmer’s Daughter)

That included applying a fresh coat of white paint to the two-story farmhouse and painting the barn, chicken coops, and sheds bright red, despite the fact the film would be shot in black and white. A second large barn was erected at the ranch’s entrance with a large mural depicting the rolling countryside, which would play into the movie’s storyline, along with a duck pond and a grain silo to make it look more like a Minnesota farm. The line of eucalyptus trees lining the short lane from Old Adobe Road to the farmhouse were cut down and replaced with pine trees, which were more akin to Minnesota.

Once the stage was set, filming began in mid-May. Each day for ten days, a small fleet of swanky, chauffeured cars delivered the director, producer, and stars Loretta Young and Joseph Cotten, to the ranch from the St. Francis Hotel in San Francisco, where they were lodged. The rest of the film crew stayed at Hotel Petaluma, which also provided picnic-style meals on the set each day.

Hotel Petaluma with Redwood Room on ground floor, 1954 (photo courtesy of Sonoma County Library)

The hotel’s owner, Harold Eckart, had undertaken a major renovation of the hotel the year before, including a makeover of the cocktail lounge. He rechristened it the Redwood Room (current site of the Shuckery restaurant). Decorated with a large photo mural of the redwoods, it quickly became a favorite hangout of Petaluma’s postwar café society, known as “the 400.” They were serenaded most evenings by Earle Bond, a locally renowned organ player.

Members of the 400 looking to catch a glimpse of the movie’s stars at the Redwood Room were disappointed however, as the evenings they were in town they chose to dine at the Golden Gate Grill on Main Street near Western Avenue (current site of the Sake 107 sushi restaurant).

Golden Gate Grill, 107 Main Street, 1947 (photo courtesy of Sonoma County Library)

A popular stop for celebrities and tourists traveling the Redwood Highway north to the Russian River resorts, the grill was owned and operated by two Yugoslavian immigrants, Pete Goich and chef “Big Tom” Kasovich. It being Petaluma, the house specialty was chicken.

Both the opening and closing scenes of the film were shot at the Bundesen Ranch. A cheerful comedy-drama originally called “Katie Goes to Congress,” it opens with a convertible driving into the Bundesen Ranch to pick up Young, who plays a Swedish-American farmgirl headed to the big city to attend nursing school.

Filming at Bundesen Ranch (photo courtesy of the Ed Fratini Collection, Petaluma Historical Museum)

While waiting at a bus stop created for the film on the corner of Stage Gulch and Old Adobe roads, Young’s character warily accepts a ride from an itinerant sign painter who just finished painting a mural on the side of her family’s barn.

Bus stop set up at the corner of Old Adobe and Stage Gulch roads (credit: The Farmer’s Daughter)

Taking advantage of her good nature—along with all her savings for school tuition—he leaves her scandalously stranded that night at a roadside motel.

The motel featured in the film was the Pioneer Auto Court on the southeast corner of Fern Avenue and Redwood Highway, just south of Cotati. Opened in 1938 by John Frankfurter, the Pioneer featured 13 small cabins, a cocktail lounge, and a large swimming pool. In its heyday, it catered to travelers headed north along the Redwood Highway.

Loretta Young’s character at the Pioneer (credit: The Farmer’s Daughter)

During the nighttime shoot at the Pioneer, an inebriated local, drawn by the bright studio lights outside the motel, drove up to the set and stumbled into the bar to order a drink. “Nice opening you’re having,” he said to the bartender, “just like in Hollywood.” Turning to Young, who was waiting inside the lounge to shoot a scene outside, he added, “And, baby, you’re a dead ringer for Loretta Young. What won’t they think of next?”

Cocktail Lounge at the Pioneer Auto Court featured in the film (credit: The Farmer’s Daughter)

In the film, Young’s character, broke but determined to stand on her own two feet, hitchhikes from the motel into the big city, where she manages to secure a job as domestic in the home of a prominent congressman played by Cotten.

After Cotten’s right-wing political party decides to back an unscrupulous alderman for Congress, Young, an outspoken progressive just as comfortable discussing politics as she is washing sheets and ironing shirts, stands up at a campaign rally to deride the two-faced alderman, leading to an offer from the opposing party to run against him.

Loretta Young plays Katie Holstrum, addressing a campaign rally in this still shot from the film (credit: The Farmer’s Daughter)

Propelled into the lead in the race thanks to her plainspoken and honest aphorisms, Young is tripped up at the eleventh hour when the sign painter, paid by the opposition, shows up to publicly slander her with false salacious accusations regarding their night together at the Pioneer Auto Club.

Returning to the ranch to console herself with feeding the chickens, Young is encouraged by both her father and Cotten, who’s come to propose to her (in the chicken yard), to fight the smear campaign. With Cotten’s help, she gets the sign painter to confess to his lies and is elected to Congress. She also accepts Cotten’s hand in marriage, despite the fact they are on opposite sides of the political aisle.

Love scene, Petaluma style (credit: The Farmer’s Daughter, courtesy of Rocco Rivetti)

Ironically, Young was dealing with one of Hollywood’s biggest cover-ups at the time. It involved her 10-year-old adopted daughter, who accompanied Young to the Bundesen Ranch during filming. Despite rumors swirling around Hollywood, it wouldn’t be until just before Young’s death in 2000 that it was publicly confirmed the girl was actually her biological daughter. Later came the disclosure that she had become pregnant after being date raped by Clark Gable while the two of them were shooting Call of the Wild in Washington state.

Originally shot as Katie Goes to Congress, Petaluma’s first movie was released in 1947 under the title, The Farmer’s Daughter. It opened that summer to packed houses at Petaluma’s California Theater (the current Phoenix Theater). A popular box office hit, the film earned Young her first and only Oscar.

Ad for “The Farmer’s Daughter” (credit: Pinterest)

After the 101 Freeway opened in 1957, travelers no longer took the Redwood Highway through Petaluma when heading north to the Russian River. That hurt a lot of local businesses.

Casualties included Hotel Petaluma, which was sold to the Elks Club for use as a clubhouse and a single-room occupancy hotel until 2017, when it was restored as a boutique hotel. The Pioneer Auto Court was also forced to become a short-term SRO, although its swimming pool remained a popular attraction for local kids until the early 1970s, when the motel was torn down and replaced by a horse pasture.

Former Bundesen Ranch today, 4295 Old Adobe Road (credit: John Sheehy)

Out on the Bundesen Ranch, the film company tore down the Minnesota silo and barn after the shooting ended. The ranch itself was sold in the 1950s to dairy rancher Frank Flochinni, an Italian immigrant, and later passed down to his descendants. Over the years, the ranch house and original barn were torn down and replaced by a new house and barn.

*****

Thanks to Gregg Fautley for his research assistance on this story, and as always, to Katie Watts for her editing.

Video trailer for The Farmer’s Daughter:

The Farmer’s Daughter is also available for free viewing on youtube:

SOURCES:

Petaluma Argus: “A Mother is Called to Rest,” December 2, 1912; “Barn Dance at Bundesen Home,” September 2, 1922.

Petaluma Argus-Courier: “Leased Dairy Near Town,” December 15, 1930; “William J. Scott Claimed by Death,” April 19, 1946; “RKO Picture Co. Inc. to Shoot Movie, ‘Katie Goes to Congress,’ on Bundesen Place,” May 14, 1946; “Sunny Skies Hoped for by ‘Katie for Congress’ Artists,” May 23, 1946; “Elizabeth Olga Olberg Meets Loretta Young, Poses with Star for Picture on Lot,” May 25, 1946; “Carl Bundesen Succumbs to Illness,” May 31, 1946; “Katie For Congress Picture Completed at ‘Location,’” June 1, 1946; “Motorist Was Slightly Mixed,” June 10, 1946; “The Farmer’s Daughter Filmed Here; At Cal,” July 28, 1947; “So They Tell Me with Bill Soberanes column,” January 27, 1958; “ Ed Mannion’s Rear-View Mirror column,” April 12, 1962, “Frank Flochinni,” May 25, 1977.

Petaluma Courier: “Arrived from Germany to Remain,” December 6, 1912; “Chas. Bundesen Has Passed into Rest,” July 22, 1919;

Santa Rosa Press Democrat: “Hollywood Location Party Using Ranch Near Petaluma,” May 15, 1946; Bundesens’ Roots in Ranching,” December 17, 1989.

“Yesterday’s Favorite Spot Just a Memory,” Cotati Historical Society Newsletter, Vol. 8, No. 2, June, 2015, pp.1-2.

Charles Bundesen, U.S. Census, 1880, 1890.

Herman Martin Theodore Bundesen, U.S. Census, 1910.

Helen Petersen, “Clark Gable Accused of Raping Co-Star,” Buzz Feed News, July 12, 2015. https://www.buzzfeednews.com/article/annehelenpetersen/loretta-young